I had a really nice time yesterday doing a master class for the drummers in the Juilliard School’s jazz program. First of all I was thrilled to get the call as I spent 5 long productive years in the building. Anyway what a beautiful set up they have now. When I went to Juilliard there was no jazz program and Wynton Marsalis, Dan Block, and Rob Waring, were the only jazz players in the school, but we studied classical music at school. Now there is a separate wing for the jazz department, and the director Carl Allen has assembled an incredible faculty and curriculum for the program. Carl a well-known and seasoned veteran drummer apparently is doing an incredible job running this program. In the 3-4 hours I spent there yesterday, I was greeted by many of my favorite musicians from the faculty. Had a little hang with Frank Kimbarro, Ron Carter, Eddie Henderson, Rodney Jones, Carl Allen, Billy Drummond, and Kenny Washington. These guys are all top of there field. At the master class I had 5 or 6 drummers and Carl Allen, Billy Drummond, and Kenny Washington attending the class. Tough company to impress. It all went well and was a really nice loose environment to teach in. Basically I was there to help the drummers open up more to the vibes and the harmonic language skills needed to play jazz. They are great young drummers already or they would not be at Juilliard, but widening the scope is a great thing for them. That is the goal of course.

I was so honored that Carl Allen, Billy Drummond, and Kenny Washington were there. ALl three are at the top of the drum world, and Kenny Washington and I have known each other 40 years. We met in high school at Music and Art High School in NYC when we were 13 or 14 years old. He was then and continues to be a true be bop master on the drums. A jazz master as are all the names listed above, but Kenny was playing with Betty Carter and Johnny Griffin when he was 17 or 18 years old, and he never attended college. The music was his college, and he is a true master. Just goes to show you if you want to learn something you can do it yourself. All the recordings are out there for you to draw from, transcribe, and simply memorize. Kenny desperately as a youngster wanted to sound like Philly Joe Jones. He memorized and mastered that style, and turned it into a huge career, and he developed his own sound. Just amazing!! Great to see Kenny. He had been teaching all day and waited a few hours just to see my master class. I was so happy. Then Kenny and I took a walk down to the 3rd floor to try and find our great friend and colleague from high school Danny Druckman, who is currently director of the percussion dept at Juilliard, as well as a percussionist with the New York Philharmonic. We did not find Danny, but I showed Kenny the infamous orchestra rehearsal room 309. I explained to him how this is where Danny Druckman and I spent countless hours rehearsing with the likes of Leonard Bernstein, Sir George Solti, Sixten Ehrling, Zubin Mehta, Herbert Von Karajan, and so many more genius conductors who came through Juilliard week to week for concerts. The room has an incredible feeling. You walk in this room and you can feel the history. I sure did!!

Afterwards a little hang at a local restaurant with Rodney Jones who has been one of my best friends for around 40 years as well. He is absolutely the most incredible  person. Highly accomplished spiritually, as well as being one of the globes finest guitarists and teachers. All in all a great day, a thrill for me, and a great honor to be called upon to do the master class at Juilliard.

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