Wow! It sure is a different scene in the studios these days than when I was in the thick of it in the 80’s, 90’s, and early 2000’s. The other day I recorded 23 cues for a motion picture entitled “Should’ve Been Romeo”. The amazing thing is the engineer, composer, and other musicians are all working in LA. I recorded my parts in my office at home in New York. I have done this many times now for various jingle, and film composers. They send you pdf’s of all the music, and a reference mix of each tune in wave format with click track, and I add the  parts requested on vibes, or whatever instruments they want using my Apogee ONE’s and Pro Tools to record with. Then I upload it to a site like Media Fire where you can upload heavy memory files for them to download in LA. Then they put it up on their mix in their studio, and make a few adjustments, and that’s it. I email an invoice, W-9, and I-9 form, and I get paid.

In the studio scene in the 80’s and 90’s I used to have to travel down to the studio. Pay for parking. Go to the studio and record for a while. Then we would all break at “Possible 20’s” bar on 55th st. This place was named after the standard studio call of 1 hour with a possible 20 minutes overtime. So when you finished one date and had a 40 minute break till the next date, you would hit Possible 20’s for food or drink. These days you need not leave your house to do a high profile film date. What a world of technology we live in. Most of that  possible 20 studio scene is now dead as there is much less studio work in New York these days compared to the old days. Now everyone has Pro Tools , and the equipment necessary to record with, so it eliminates a lot of studio time to be purchased by the producers. It has closed many fine studios in New York City as they just cannot stay alive.

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