Estate Musicale Lanciano


Featuring Lenny White, Bob Franceschini, and Martin Gjakonovski

We arrives safely in Cologne Germany on April 11th for our first concert at Altes Pfandhaus, which is the premier jazz room in Cologne Germany. Maybe the only jazz club there. Anyway it is a very cool venue with a circular stage with seating all around the band. While speaking to the audience I tried to sort of turn in circles to reach everyone, but after a while I just gave up that concept, and just looked one way. Anyway it was our first gig and the music began to take shape nicely. Our sets consisted of original compositions by Bob, Lenny, and myself. In addition we played a few standards. Hot House by Tadd Dameron, and Celia by Bud Powell. Really at this point in my career I feel this tremendous need to pay tribute to the jazz masters who have created the bebop foundation for the music we play. Although I have over one hundred original compositions I always play at least one or two tunes by Charlie Parker, Dizzy Gillespie, Bud Powell, or John Coltrane. For me it is correct to present the music in this fashion. Without these guys there would not be the music we live to play. They really innovated, and changed the way we all interpret the harmony. Bob Franceschini and I grew up together. I have known Bob for over 40 years as we attended Music and Art high School together in New York City, so it is such a treat for me to join with Bob on this tour. We have not played together in a while so it has just been amazing to reunite for this music. Bob is one of the fines saxophonists in the world. For me he is ranked in the top ten along with Mike Brecker, Joe Lovano, and Jerry Bergonzi. He is truly in that class. I remember when Bob and I were in high school how we were both Bird, and Coltrane freaks listening constantly to all of the records at high volume. We used to play the records without volume on 10. If there were an 11 on the volume control we would have used it. The short story is Bob flat out is a master of the art of improvisation. He has all the elements you need to play music. Great technique, a warm gigantic sound, and tons of bebop and post bop language to draw from. Just incredible! About a year ago the record producer David Chesky put a CD together for Lenny, Jamey Hadad, and myself to do which entailed creating music with a drums and percussion trio. Lenny and I had a ball together on this recording and spoke of doing some other stuff together, so I finally got the opportunity to put this tour together. Sharing the bandstand with Lenny White has been just a true honor and privilege for me. I was watching Lenny play with Chic Corea, and Return To Forever when I was 14 years old. Totally admiring that band, and Lenny is just an incredible natural musician. He plays the music with a vengeance, and a big smile. Incredible chops, and musicality. In addition he has brought some great tunes to the table for this band. One called “L’s Bop” (Lenny’s Bop) which is a true bebop line on the A section, and a bridge which opens up into some just lush, beautiful chords that are spelled with the harmony of jazz standards. It is very fast, and difficult to execute, but when we get it right it is just a burner. The other tune Lenny has contributed is a tune titled “Wolfbane” which has a middle eastern flavor to it mixed with a strong post bop set up. Kind of like a snake charmers dance with a jazz flavor. It also has some really cool rhythmic hits, which create a great rhythmic structure for the musician to work the language on. Lenny has an amazing ear. He uses no music for all the originals, and just learns everything by ear so fast. I have never seen any drummer learn music this way so quickly, and efficiently. It is really old school in a way, but he makes it work in today’s music perfectly. I am so used to handing the drummer a lead sheet to use. Especially on the first reading, but Lenny uses no music, and gets it right very quickly. He has just amazing ears, and experience in the music having played with the who’s who in jazz for many years. In addition he is a 4-time Grammy winner. A true legend in the music! Adam Nussbaum, and Daryl Hall recommended Martin Gjakonovski to me for this tour. Martin with great musical precision, and he has clearly done his homework. His intonation is first rate, and he has a great feel, and has integrated beautifully into this 4tet. It is a pleasure to have him on the bandstand, and on the road. Really when putting a tour together like this you have to always of course consider the abilities of the musicians, but in addition to the music you really need to consider the personalities of the players. You will travel and spend a lot of time together in some really stressful situations. Traveling these days has become so difficult with security searches, and delays, and all sorts of problems that can occur. So it is vital to select a group of musicians that not only play the music to the highest level, but can also enjoy being together. Otherwise you have some real problematic situations, which just can turn the entire tour into a drag. This time I really selected a great group of musicians who get along on and off the bandstand. Off to London for the next concert.

On plane Germany-London

 

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I played a really nice concert as guest artist with pianist/composer Antonio Ciacca and his 4tet last night. in Lanciano Italy as part of  Estate Musicale Frentana 2011. We played many of Antonio’s compositions, and a few standards as well. Antonio is a fine writer, who takes already known songs, and song forms and makes them his own, by re-harmonizing, and re-arranging them. A very effective technique that many of us jazz musicians do. The musicians in the band played really well. Saxophonist Paulo Recchia, bassist Giuseppe Bassi, and drummer Francesco Ciniglio all swung really hard for the entire concert with Antonio, and I. It was a pleasure to work with them all for the first time. Those first time playing experiences are really the ones I love, as it reaffirms how the music is a universal language, and you can get on the stage with musicians you don’t know, never played with, did not rehearse with, can barely speak with because of the language barrier, and the magic can happen. It is what makes me excited about music. It is was what is so motivating about playing jazz. In the classical world there are always many rehearsals before a concert. In the jazz world, if you have good players, you need not even rehearse sometimes, and the music can just evolve. it is a beautiful thing. I love what I do. I wouldn’t trade it for anything in the world. Thursday the 21rst of July I will do the Farro Sabina Jazz Festival near Rome, with Antonio and a completely different rhythm section. I am sure this will a similar or even more powerful experience. Can’t wait!!

I will blog it after the concert.