Martin Wind


The Places We Feel Free / The Tim Horner Ensemble

2011 Miles High Records  www.mileshighrecords.com

Featuring : Tim Horner – All Compositions, Drums, Percussion, Voice & Viola / Jim Ridl – Piano & Electric Piano / John Hart – Guitar / Martin Wind – Bass / Mark Sherman – Vibes / Ron Horton – Trumpet & Flugelhorn / Marc Mommaas – Tenor & Soprano Saxes / Scott Robinson – Tenor Sax

Tracks:

A Room Full of Shoes

Invisible Heroes

Museum Piece

Mountain River Dream

A Precious Soul Fanfare for the Common

Jims

‘Tis

Spirit

Tha Places We Feel Free

Passion Dancer

 

The Places We Feel Free is the debut recording of drummer Tim Horner, out of NYC. Tim is one of New York City’s finest drummers and Jazz musicians. His disc, ‘The Places We Feel Free’ displays Tim’s musicianship as muti-faceted. He is a wonderful performer, composer and ensemble musician. His compositions (like his playing) are rhythmically vibrant. The tunes are melodically sophisticated, brushed with modern 20th century harmonies. You canhear the thoughtfulness behind each composition. The result is a release that unveils modern mainstream music, performed by an experienced group of NYC veterans that will surely excite the listeners, musicians and all who appreciate modern Jazz.

Everyone who participates on this disc has shining moments. It is so nice to hear Scott Robinson on tenor. If you are not familiar with his tenor playing, he unveils a richness of tone, blended with modern, creative touches in his improvisations. On ‘Fanfare for the Common Jims’, written for Robinson, Scott just rips through the form with ease and excitement! He then turns around plays with great sensitivity on ‘Tis’. He and trumpeter, Ron Horton provide Horner with a front-line that swings, combined with oneness of ensemble. Congrads Jims!

I love vibraphonist, Mark Sherman’s contributions. He plays with a rhythmic urgency that caught my attention—as in right away on ‘The Room Full of Shoes’. The opening cut. The unison’s and trades with guitarist John Hart are melodically sparring and enjoyable to listen to. I love how the rhythm section swings so hard—it gives the soloists the cushion and the necessary creative energy to just play ripping solos! Jim Ridl (piano) swings hard on that opening track on piano as well, creating an exciting and enjoyable listen.

Ron Horton, (Trumpet and Flugelhorn), plays with a richness of ‘sound’ on this recording. He plays with a big and full ‘sound’. His ‘pitch’ and ‘time’ are very good. On a ‘Precious Soul’ and ‘Tis’, his ensemble, and inventive solo’s are a welcome addition to this music.

Guitarist, John Hart on guitar is superb throughout. His electric playing flows, and he is well versed harmonically. I might note–not all electric players can turn the corner and play convincingly on a nylon classical guitar.  His training and experience are well noted. On Horner’s, ‘Passion Dancer’, his execution of Flamenco style is fluid and musical!

The disc is also programmed very well, with an assortment of time feels and variations of ensemble. The compositions also display beautiful variation. For example, listening to ‘The Places We Feel Free’, (dedicated to bassist, Bob Bowen), (a ¾ metered tune), ‘Places’ features nice open harmonies as it features a section for bassist Martin Wind to improvise. His solo is set up nicely by guitarist, Hart and vibraphonist, Sherman as their unison melody leads to the conversation with Wind. It is beautifully done. Sherman is great once again and Tim’s cymbal work is superb!

Horner not only writes in an assortment of time feels, he plays each style with the up-most capability. He is one of our modern masters when it comes knowing what the music needs from the rhythm section. His contributions are played with passion and conviction! His time feels so good. It makes you want to play if you’re a musician. It makes you want to move if you’re a listener. He is a superb musician!

You will listen to this disc multiple times, I can promise you if you are a lover of creative mainstream Jazz. Tim’s debut is not successful on one level, but on many levels. He has waited to release a musical statement, which clearly demonstrates his great understanding of the Jazz idiom! Congrads Jims!!

Tim Horner recording date. The Band


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I was hit by a taxi cab while crossing 42nd street, and 6th avenue in New York City on April 22nd. I suffered a nasty head shot with a bad hematoma, concussion, and 25 stitches,  2 broken fingers, a broken shoulder in 2 places, and a terrible cut down to the bone on my left thumb. Actually I am lucky to be alive. It is a humbling experience to be walking across the street, and then to wake up from being knocked out to a stranger holding your head saying, “don’t move, your head is bleeding really badly”. Anyway I have healed up pretty well since the accident except for my left hand which is still messed up. I can play, but I feel I am still working at 60%.

Last week was the first week I worked in 8 weeks as a jazz player playing vibes. The great Italian pianist, Antonio Ciacca a big figure in the jazz world, was kind enough to give me 6 nights at The Setai Hotel “Bar on Fifth” on 36th street and 5th avenue in New York.  I played trio and quartet with various different drummers, and bass players. Antonio played with me to make it a quartet for 3 of the nights, and the bass players were David Wong(Roy Haynes band, and Jimmy Heath), Martin Wind, and Mike Karn who is as good a saxophonist as a bass player. A super talent he is!! The drummers were Pete Van Nostrand (Kenny Barron band, Jimmy Heath band) for 5 nights , and Quincy Davis for 1 night.  The music was rewarding, motivating, and spiritual all the way through. These players are all at the top of their game, and we just ripped through many standards, blues, and rhythm changes all week. I am truly grateful to Antonio Ciacca for this opportunity to come back playing strong. I play 3 sets a night for 6 nights which allowed me to test my stamina, and of course have a great time playing, which I live for. Of course after each night I was on ice like an athlete, and in physical therapy in the mornings. I was really hurting, and swollen after each night, but the music keeps me going, and I am grateful to still be here to play. It is like being an athlete without the 15 million dollars a year, whirlpools, massage and 24/7 physical maintenance. Not easy. Thanks to Antonio Ciacca for a great week!

I had an amazing concert last wednesday night in Brooklyn at a concert series called Brooklyn Jazz Wide Open / Littlefield. I played with the Ron Horton/ Tim Horner 10tet. What a band featuring Marc Mommaas, Scott Robinson, John O’Gallagher, Nate Ecklund, Ron Horton, Alan Ferber, and a rhythm section of Frank Kimbrough, myself, Mark Sherman on vibes, Martin Wind, and Tim Horner. The music is mostly arranged by Ron Horton in tribute to the music of Andrew Hill legendary jazz pianist/composer. This band is currently looking for a home at one of the local New York jazz clubs, and certainly deserves one. Ron Horton has cleverly arranged the music and the players are really incredible. I hope the band will soon record. A project worth checking out.

Mark Sherman, Frank Kimbarro, and Martin Wind

The Ron Horton/Tim Horner 10tet