Nicola Muresu


With Herbie Hancock

With Herbie Hancock

With Benny Golson

With Benny Golson

With Carl Allen

With Carl Allen

With Lenny White

With Lenny White

I am so proud to be a graduate, and on the faculty of The Juilliard School. Last night at school there was an incredible evening of celebration for Ron Carter as he has turned 75 years old, and a new Juilliard scholarship was launched in his honor. Fifty thousand dollars awarded yearly to a deserving student in the program. With Danny Glover as the MC for the evening, the program  packed Lincoln Center’s Alice Tully Hall. Just a great presentation of  many of Ron’s tunes arranged by the students, and performed with the guest jazz masters. There were also performances by the Ron Carter nonet, and the Juilliard Jazz Orchestra performing selections from Ron’s big band recording. A who’s who of jazz history was there to support this event. It was a ball to hang with many of my colleagues from the faculty, as well as the legendary guests that performed with the students on the concert. What a great opportunity for the Juilliard jazz students to play with, Hubert Laws, Benny Golson, Herbie Hancock, Buster Williams, Russell Malone, Ron Carter, Carl Allen, and Lewis Nash.

When I was at Juilliard I was playing in the orchestra with the likes of Sexton Ehrling, James Conlon, Zubin Mehta, George Solti, Leonard Bernstein and others. They had no jazz program at Juilliard when I attended. Wynton Marsalis and I used to just jammed in the hallways to find somewhere to play. What a program. What a night. Just amazing!

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Great concert in Fara In Sabina just 40 km north of Roma. Wow way up high in the mountain above Roma with the most amazing view. I was a guest artist with the Antonio Ciacca trio. We played Antonio’s well calculated re-harmonizations of standards and a few normal standards like “Bolivia” by Cedar Walton. Antonio opened up trio with his bass player and drummer from Italy of many years, Nicola Muresu from Sardinia, and the drummer Nicola Angelucci. They were really relaxed, swinging players. It all swung real hard from the opening standard “You’re My Everything” until the final Antonio Ciacca composition Lago’s Blues, a straight eighth tune that any great player could dig into. I had visions of what my colleague and friend the late Michael Brecker might have done to this tune. He would have torn it up, as it combines and F vamp, and F blues. I had a blast playing it. The great a show with Antonio Ciacca is it is packed with music that is deeply rooted in the jazz tradition, filled with standards, blues, and rhythm changes, as well as Antonio speaks before the tunes about the history of the music. He is so knowledgable about jazz. There is a lot info music history information behind each description of the tunes. I can see why Jazz At Lincoln Center, and Wynton Marsalis chose Antonio as the director of programming. A position Antonio held for the last 5 years. So each show is filled with the great performances, and the music history. Something I myself could incorporate more of in my own shows as a leader.

After the concert we slept in a Monestery that looked to be thousands of years old. Just a spooky, maze of rooms that I guess the nuns, and priests from the church stayed in. Really an amazing looking place. All in all a great night.

Antonio Ciacca Quartet