What an inspiring weekend of music at The Kitano jazz room in NYC with my band of 8 years with Tim Horner, Allen Farnham, and Dean Johnson. Jerry Bergonzi was a guest with us this weekend. In addition Jerry stayed at my house for the weekend so we played a lot of music at home, and at the club at night. He is flat out an incredible musician, and certainly one of the top 5 saxophone geniuses alive today. His playing is so fluid, and his language is so deeply rooted. It was a truly motivating to play and hang with him for 3 days. In addition he is just a great cat full of love, and music. Many colleagues, and friends came out to see us, as we tore up tunes like Quasimodo, Hot House, and many originals, and re-harmonized standards. It was a fantastic weekend.
The Mark Sherman/Tim Horner Quartet
February 13, 2012
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November 2, 2011
August 19, 2011
The Places We Feel Free / The Tim Horner Ensemble
2011 Miles High Records www.mileshighrecords.com
Featuring : Tim Horner - All Compositions, Drums, Percussion, Voice & Viola / Jim Ridl – Piano & Electric Piano / John Hart - Guitar / Martin Wind – Bass / Mark Sherman - Vibes / Ron Horton – Trumpet & Flugelhorn / Marc Mommaas - Tenor & Soprano Saxes / Scott Robinson - Tenor Sax
A Room Full of Shoes
Mountain River Dream
A Precious Soul Fanfare for the Common
Tha Places We Feel Free
The Places We Feel Free is the debut recording of drummer Tim Horner, out of NYC. Tim is one of New York City’s finest drummers and Jazz musicians. His disc, ‘The Places We Feel Free’ displays Tim’s musicianship as muti-faceted. He is a wonderful performer, composer and ensemble musician. His compositions (like his playing) are rhythmically vibrant. The tunes are melodically sophisticated, brushed with modern 20th century harmonies. You canhear the thoughtfulness behind each composition. The result is a release that unveils modern mainstream music, performed by an experienced group of NYC veterans that will surely excite the listeners, musicians and all who appreciate modern Jazz.
Everyone who participates on this disc has shining moments. It is so nice to hear Scott Robinson on tenor. If you are not familiar with his tenor playing, he unveils a richness of tone, blended with modern, creative touches in his improvisations. On ‘Fanfare for the Common Jims’, written for Robinson, Scott just rips through the form with ease and excitement! He then turns around plays with great sensitivity on ‘Tis’. He and trumpeter, Ron Horton provide Horner with a front-line that swings, combined with oneness of ensemble. Congrads Jims!
I love vibraphonist, Mark Sherman’s contributions. He plays with a rhythmic urgency that caught my attention—as in right away on ‘The Room Full of Shoes’. The opening cut. The unison’s and trades with guitarist John Hart are melodically sparring and enjoyable to listen to. I love how the rhythm section swings so hard—it gives the soloists the cushion and the necessary creative energy to just play ripping solos! Jim Ridl (piano) swings hard on that opening track on piano as well, creating an exciting and enjoyable listen.
Ron Horton, (Trumpet and Flugelhorn), plays with a richness of ‘sound’ on this recording. He plays with a big and full ‘sound’. His ‘pitch’ and ‘time’ are very good. On a ‘Precious Soul’ and ‘Tis’, his ensemble, and inventive solo’s are a welcome addition to this music.
Guitarist, John Hart on guitar is superb throughout. His electric playing flows, and he is well versed harmonically. I might note–not all electric players can turn the corner and play convincingly on a nylon classical guitar. His training and experience are well noted. On Horner’s, ‘Passion Dancer’, his execution of Flamenco style is fluid and musical!
The disc is also programmed very well, with an assortment of time feels and variations of ensemble. The compositions also display beautiful variation. For example, listening to ‘The Places We Feel Free’, (dedicated to bassist, Bob Bowen), (a ¾ metered tune), ‘Places’ features nice open harmonies as it features a section for bassist Martin Wind to improvise. His solo is set up nicely by guitarist, Hart and vibraphonist, Sherman as their unison melody leads to the conversation with Wind. It is beautifully done. Sherman is great once again and Tim’s cymbal work is superb!
Horner not only writes in an assortment of time feels, he plays each style with the up-most capability. He is one of our modern masters when it comes knowing what the music needs from the rhythm section. His contributions are played with passion and conviction! His time feels so good. It makes you want to play if you’re a musician. It makes you want to move if you’re a listener. He is a superb musician!
You will listen to this disc multiple times, I can promise you if you are a lover of creative mainstream Jazz. Tim’s debut is not successful on one level, but on many levels. He has waited to release a musical statement, which clearly demonstrates his great understanding of the Jazz idiom! Congrads Jims!!
February 27, 2011
Well we set off on tour for our first stop in Oldenburg Germany to perform at Jazz Club Alluvium on Feb 23rd. A nice venue run by a singer named Al Yasha Anderson. She is originally from Brooklyn New York, and now residing in Oldenburg. The concert was a nice start to our 6 concerts in Germany, and Switzerland. We are preparing new music for a recording in Switzerland on February 26+27 live at Chorus Jazz Club. We have been playing all new music by Tim Horner, Allen Farnham, and myself. Some very challenging stuff. On morning of the 24th we drove to Rostock Germany where we played for the second time at Upsprung, which is a nice little club in Rostock in the northeast of Germany. The music grows each night as we pour our hearts and souls deep into what we love to do. Next day we drove to Schwann Germany where we played at this really fantastic little place called Kulterschanke, run and owned by Sylva Tkotsch. We met Sylva last year when we performed in Rostock, and she absolutely insisted we come to perform at her venue this year. It was a great concert as it was completely acoustic with no microphones anywhere. A little stage which put us very close to each other. It felt great on the stage, as I could hear really well, and the usual monitor systems that these clubs have were not there to ruin the sound onstage. It was like playing in our living room. The music really took off that night. Before the concert, as the audience filed into the club, I noticed there were many older folks coming in as well as a younger crowd, so I felt that it would nice to give them a standard tune to start the set. We did that and then continued with our original music as we prepare for the recording on the 26-27th. Much to my surprise they were very enthusiastic about the original music. They really ate it up. We sold many CD’s and it ended as a great night.
Now comes the tough leg of the tour. We departed at 6am on the 26th, drove 2hours to Hamburg airport. Unloaded, returned the car, checked in, and took our flight to Zurich. We need to be in the Geneva area, but the flights from Hamburg to Geneva were so expensive I chose to go to Zurich as we had 85-euro flights. Upon arriving at Zurich we caught a train to Lausanne to arrive for the concert/live recording at Chorus Jazz Club. We got to the hotel at 4:40pm. Rested I hour and went to the sound check. Ate dinner and hit at 9pm. 2 burning sets to a packed club. This club has become our home away from home. We are so well received in Switzerland in general, but it is our 5th year playing at Chorus, and the same faces, and friends keep coming. Sold a load of CD’s and even though we were totally exhausted from the trip that day, and no sleep, we played our asses off. This band is incredible. For me it is a dream come true to work the music to this level, and simply to be on the stage performing at this level at this point in my life. I have dreamed of this path since I was 13 years old, when I first heard Elvin Jones play live at The Village Vanguard. I actually broke in tears during rehearsal of a ballad that Tim Horner wrote titled “I Wish I Knew You”, as I became over whelmed with the beauty of the music, and the gratitude I have for these musicians, the music, my family, thinking of lost friends, and the difficulties of life. Another song we play is a beautiful waltz dedicated to the bass player Bob Bowen who was tragically run over by a truck while riding his bike in New York. The song is titled “The Place I Feel Free”, composed by Tim Horner as well. It refers to Bob’s stories of his life, as he spoke to Tim, and said how the one place he feels free is when he is riding his bike, as the day-to-day problems of life disappear when riding. How sad, and ironic he was killed in that place he felt so free! Life is so fragile out here for us all, and we must continue to be grateful for what we have. I miss my family when on the road, but my road family keeps me moving, and I am very grateful for the music. It makes me feel free, alive, and continuously motivated to, play better today than I did yesterday!! Second night of recording at Chorus tonight. Can’t wait to hear it when finished!
December 21, 2010
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I had an amazing concert last wednesday night in Brooklyn at a concert series called Brooklyn Jazz Wide Open / Littlefield. I played with the Ron Horton/ Tim Horner 10tet. What a band featuring Marc Mommaas, Scott Robinson, John O’Gallagher, Nate Ecklund, Ron Horton, Alan Ferber, and a rhythm section of Frank Kimbrough, myself, Mark Sherman on vibes, Martin Wind, and Tim Horner. The music is mostly arranged by Ron Horton in tribute to the music of Andrew Hill legendary jazz pianist/composer. This band is currently looking for a home at one of the local New York jazz clubs, and certainly deserves one. Ron Horton has cleverly arranged the music and the players are really incredible. I hope the band will soon record. A project worth checking out.
November 10, 2010
The great videographer Vincent Ruiz has compiled clips of the individual interviews from our DVD release and posted them on you tube. It’s great to hear the guys speak about music. The complete DVD is available at www.markshermanmusic.com.
http://www.youtube.com/watch?v=zBmewPw8U4E MARK SHERMAN
http://www.youtube.com/watch?v=VRbTkfgqVHw JOE MAGNARELLI
http://www.youtube.com/watch?v=TdEPuDBHFuM TIM HORNER
http://www.youtube.com/watch?v=QqpoSf-0bIM DEAN JOHNSON
http://www.youtube.com/watch?v=v-_ANyPp8ko ALLEN FARNHAM
July 14, 2010
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It’s been two weeks since my return to the US from the month long Rhythm Road/US State Department tour of Russia, and Asia. It has been quite an emotional adjustment since on the tour we were treated as if we were diplomats from the United States. Driving in embassy limos. Being wined and dined constantly, and of course the 50-100 people who mobbed us after concerts and master classes to get a picture or an autograph, or to just talk about music. Most importantly I miss the day to day music. We played over 30 events, Everyday was another bit of magic from the music. We drove the music to higher levels. That is what happens when you do many consecutive events. My dream since I was 13 years old has been to do just that. Back in New York it has been a small adjustment from playing concerts, and master classes daily, to more occasional opportunities to do this. I miss the daily hang with the band as well. We all bonded like family. I am looking forward to Europe upcoming in the fall, Australia in the spring, and back to teaching in the university, and conservatory I work in. Hats off to the band of Tim Horner, Jim Ridl, and Tom Dicarlo for the completion of that month in Asia. We all worked our butts off, but the music made it all worth while.