Traditional Chinese Music


The Quartet

The Quartet

It’s been two weeks since my return to the US from the month long Rhythm Road/US State Department┬átour of Russia, and Asia. It has been quite an emotional adjustment since on the ┬átour we were treated as if we were diplomats from the United States. Driving in embassy limos. Being wined and dined constantly, and of course the 50-100 people who mobbed us after concerts and master classes to get a picture or an autograph, or to just talk about music. Most importantly I miss the day to day music. We played over 30 events, Everyday was another bit of magic from the music. We drove the music to higher levels. That is what happens when you do many consecutive events. My dream since I was 13 years old has been to do just that. Back in New York it has been a small adjustment from playing concerts, and master classes daily, to more occasional opportunities to do this. I miss the daily hang with the band as well. We all bonded like family. I am looking forward to Europe upcoming in the fall, Australia in the spring, and back to teaching in the university, and conservatory I work in. Hats off to the band of Tim Horner, Jim Ridl, and Tom Dicarlo for the completion of that month in Asia. We all worked our butts off, but the music made it all worth while.

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Our trip following the Shenyang leg of our tour involved and uneventful flight to Guangzxou China, where we were taken to our hotel for a day of rest, and I did a radio interview for the Foshan event the next day. That following day we drove to Foshan where we arrived at the Zumiao Museum for sightseeing, and were greeted by an absolutely brilliant, and organized man named Peter Han. I had spoken many times to Peter on Skype prior to the tour to iron out all the questions regarding our presentation, venue questions, scheduling etc. Finally I met Peter face to face as he greeted us at the museum. This museum was over 400 years old, and had pictures of all the famous martial arts students, and masters. There was a building dedicated only to the martial arts, complete with pictures of all the masters. Of course one of the most well known masters was Bruce lee, and there statues of him everywhere. The pictures in the post give you a great idea of what it was like. It had a Chinese opera house, and many areas where people pray, chant, and do Tai Chi publicly. It is a very holy place with many temples, and amazing history behind it. For the second half of the sightseeing we went to the oldest kiln in the world where incredible pottery has been fired for over 500 years. The kiln was built in 1506, and is still operational. Check the pictures, as it was totally amazing. We bought lots of gifts in the gift shop for our loved ones back home. Everything is dirt-cheap here. So Peter Han is very meticulous man who is a PHD, lived in the US for 15 years, and simply new every detail of our manifest. We created this manifest maybe six months ago, and he was the only one so far who really memorized it. Every detail was followed perfectly. Anyway we had a nice lunch, and were then escorted to the performance venue where we did a great concert at the Creative Park in Foshan. Then a nice dinner, and a set up, and master class at a local jazz club where we played, and went through some educational stuff, and answered some good questions. Afterwards enthusiastic students who attended again mobbed us, and we gave autographs, and took photos. All in all a great day as Peter Han really took care of business.

Museum Entrance

Museum Entrance

Host Peter Han

Host Peter Han

Young Bruce Lee

Young Bruce Lee

Dan Halcott, and Peter Han

Dan Halcott, and Peter Han

Museum Show

Museum Show

Evening Master Class

Evening Master Class

Active Kiln built in 1506

Active Kiln built in 1506

Women Praying

Women Praying

Xu Cunyu, and Lu TIng Ting

Xu Cunyu, and Lu TIng Ting

Xu Cunyu, and Lu TIng Ting

Xu Cunyu, and Lu TIng Ting

Our final day in Shenyang China was spent at the Shenyang Conservatory. This is music like I have never seen before. There are 13,000 students studying at this school. I guess it is in line with the fact that there are 6-7 million people living in the center of Shenyang, and 23-25 million living in all of Shenyang including the suburbs. So with that huge population I suppose 13,000 students is not that much. It services students from elementary school all the way through college with music studies as well as academic studies, but I think mostly music. The campus is huge. We arrived and were escorted to a really beautiful concert hall lined with flowers, and the beautiful Chinese style of decoration throughout the hall. After the set up and sound check. We were escorted to another beautiful lunch at yet another traditional Chinese round table with tons of food and drink. Our concert was successful as normal, and then we were treated to performances by some of the conservatories finer traditional Chinese musicians. This was truly enlightening, and educational for all of us American musicians. First a very serious looking young man named Xu came out in traditional silk Chinese attire, and played with amazing command, and personality a guitar like instrument called a Pipa. I think John McGlaughlin, or Paco Deluca would have gone crazy hearing this kid play. He had fantastic command, and stage presence. He bowed to the instrument, and to the audience with deep respect. He played his ass off, and Tim, Jim, Tom, and myself were truly mesmerized. The a beautiful young female student named Xu Cunyu came out and sat behind a Zither, known in Chinese as a Yanghi. It is on a beautiful wooden stand and struck with thin wooden sticks with a little paddle on the end of the sticks. It is tuned for the constant use of the pentatonic scale, and she played a really beautiful composition. Then a absolutely knock you dead gorgeous girl named Lu Ting Ting came out in a really long blue full length dress and played the Erhu. This instrument is a 2 stringed violin type instrument that is bowed, but the bow is permanently fastened between the two strings. It uses mainly the Asian pentatonic scale as it is tuned to D and A. It is really a gorgeous sound and the girl who played it was emotional, and flashy. All three of these musicians had great stage presence. We were all really impressed. Afterwards when we were asked to comment, I said I was really enlightened by these sounds, and that as we go all over the world as educators bringing our American jazz music to all the different cultures, I felt as if I had just gotten an education. It was really a fantastic thing watch. There is sure a lot talent out here in the world, and I know Jim Ridl, Tom Dicarlo, and Tim Horner, and myself all fell very grateful to have witnessed this innovative, and traditional Chinese music. We were really moved.

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Quingshan Lu Percussion Professor

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The Zither (The Yangqui)